About time for a new artist's statement:
Perceptual painting is and always has been a philosophical
endeavor. To stand before tangible
reality and to express that purely human experience in visual, physical terms
is to be a mirror for the world. With each stroke of paint, we give our
perceptions substance. Truly, this is
the wonder of the painter’s art- that paint may be stuff and sensation
simultaneously. This element of transfiguration speaks to the duality of the
human condition as well; an awareness of our physicality, our corporeality, is
an inextricable element of our experience, our sensory makeup.
My current work seeks to draw attention to the
phenomenological inquiry that painting from life represents. Self-portraits
have figured largely in this endeavor. Whether
in the studio or in the landscape, I have pulled back to include the mirror and
its surroundings in these works; thus, the painting is not merely an image of
my self, but of its reflection. Embedding
this perception of self in the midst of other witnessed phenomena allows the
work as a whole to stand as a transfiguration, a meta self-portrait composed of
successive, subjective decisions. In overtly depicting not just an image of my
body, but the phenomenological experience of looking at my own body, I seek to
address the elements of mediation and meditation intrinsic to perceptual
painting.
-Matthew
Meyer 2014